everything-that-makesme

I AM SO CONFUSED

fredcollins:

OKAY, SO, MY DAD COMES IN AND HANDS ME A LETTER TODAY AND HE WAS LIKE “well I don’t know what’s happening but I’m pretty sure this is for you” AND THIS IS WHAT HE HANDS ME:

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so naturally I OPEN IT.

I HAVE NO IDEA WHAT I WAS EXPECTING TO FIND

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someone legitimately took the time and money to write out this letter EXACTLY as it appears in Goblet of Fire, and COVER IT IN STAMPS. THEY EVEN SEALED IT WITH WAX.

I DON’T KNOW WHO THE FUCK DID THIS 

WHAT IS HAPPENING

everything-that-makesme

etommo13:

dibbydabby:

plutoisaplanetdammit:

mishasminions:

testosteroneman:

deadpandean:

sourwolf-of-beacon-hills:

jtotheizzoe:

Solar Road Trip

"Mom! Earth threw a satellite at me!!" said all the other planets.

"Mom," Pluto wailed, "Earth is saying I’m not a real planet again!" 

this is cute. 

poor pluto :(

PLUTO PLS

you’ll always be real 

I love how our entire generation all take Pluto not being an official planet anymore as a personal insult

^^^ yessss

trainiactennant
pop-culture-savvy-fallen-angel:

the-fandoms-are-cool:

sistercrow:

lokanemandi:

stormcloak:

Clifford the big red dog by *sandara

OH MY GOD

Can we have a Clifford live action movie?  Not a kids movie either. 
Like, Emily Elizabeth’s parents are working for a government agency developing a super soldier serum.  None of their testing is working and they start testing the serum on larger mammals in hopes of seeing better results.  They inject a variety of animals, including a dog.  Nothing.  They are desperate and on the verge of having their project shut down when they notice one of the test dogs is pregnant.  It gives birth and they bring one of the puppies home for their daughter.
To their shock, the puppy they brought home starts to grow at an incredible rate, its fur mutating into a brilliant red as it does so.  They are ecstatic because their research has finally seen a result, albeit one they weren’t expecting.  There is only one problem.
Clifford has become attached to Emily and refuses to leave her side.  Emily, too, has fallen in love with her new pet.  They decide to let their project be canceled rather than try to separate the two.  Unfortunately, the government discovers their secret and begins a campaign to retrieve Clifford at any costs.  During the initial conflict, Emily Elizabeth’s parents are killed trying to help her and Clifford escape.  Emily and her dog flee into the wild.  This sets the opening of the movie.
Over the course of the movie, Emily and Clifford are on the run and we see Emily grow into a young woman, everything about her honed into a survivalist expert.  She and Clifford roam the backwoods, constantly in fear of being captured.  On one of her rare trips into town one day, Emily witnesses a bank robbery in progress involving multiple hostages.  She calls Clifford and the two of them save the lives of the hostages but wreck the bank in the process.  The local news capture footage of Clifford and it isn’t long before the military arrives in town.
Emily wants to just run away again, but she sees that the military is destroying the town, driving people out of their homes and destroying property in their search.  She decides that enough is enough and rides Clifford back into town and fights the military.  Amidst the fighting a huge truck arrives.  A general (who was her parent’s superior officer) gets out and smirks.  He tells Emily Elizabeth that Clifford’s mother wasn’t the only animal that gave birth to a litter of babies after receiving an injection.  The back of the truck unfolds to reveal a massive tabby cat.  The cat strains against its bindings and tears free, immediately leaping onto a nearby group of soldiers and devouring them.  Emily is horrified and orders Clifford to attack.
What follows is the dramatic battle between Clifford and the mutant cat.  Clifford has strength, but the cat is too fast and agile.  It looks like Clifford is down for the count, when the townsfolk, recognizing that Clifford is on their side, come to his aid.  They distract the cat long enough for him to finish the beast off for good. 
The military retreats, the general swearing vengeance on the two of them, and Emily and Clifford ride off into the night once more.  But the legend of the big red dog has already started.  And Emily Elizabeth knows that the day will come when she and Clifford will need to ride into battle against the forces of evil once more.
The credits roll.
Post credits, the screen fades to black for a moment.  The sound of waves crashing on shore fills the air.  The screen flashes brilliant white.  The light of the lighthouse moves on, revealing a rocky shore on a rainy day.  The camera pans down to find Clifford and Emily gazing out to sea.  A massive object hangs in the air off the coast, obscured in the clouds.  A smaller object rapidly approaches them.  It resolves itself into an advanced helicopter that silently lands just down the shore from them.  Clifford lets out a low growl but Emily quiets him with a hand on his leg.  A lone figure emerges from the aircraft, huddling his arms around himself to fight off the cold.
He approaches the two.  His hair is short and somewhat curly.  He wears glasses and a grey flannel shirt and seems unlikely to pose a threat to the two.
“Emily Elizabeth,” he says over the sound of the crashing surf, “I worked with your parents.  It’s taken us a while to find you, after the Birdwell Island incident.”
“And who exactly is ‘us’,” she responds, eyes narrowing suspiciously.
Ignoring her question, the man continues.  “Me and Clifford have a lot in common, actually.”  He smiles a little awkwardly, then presses on.  “I was hoping you might be interested in meeting my boss.  He’s fairly excited to talk with you.”
“You still haven’t answered my question.  Who are you and who do you work for?”
The man smiles.  “My name is Banner.  And I’m hear to talk to you about the Avengers Initiative.”

how long did you even spend writing this for that fucking twist ending because my friend you are one devoted fan

HOLY FUCK I JUST SPAZZED OUT AND EVEN DROOLED GIVE THIS TO ME NOW


I NEED IT I NNEEEDDDD IIIIITTTT

pop-culture-savvy-fallen-angel:

the-fandoms-are-cool:

sistercrow:

lokanemandi:

stormcloak:

Clifford the big red dog by *sandara

OH MY GOD

Can we have a Clifford live action movie?  Not a kids movie either. 

Like, Emily Elizabeth’s parents are working for a government agency developing a super soldier serum.  None of their testing is working and they start testing the serum on larger mammals in hopes of seeing better results.  They inject a variety of animals, including a dog.  Nothing.  They are desperate and on the verge of having their project shut down when they notice one of the test dogs is pregnant.  It gives birth and they bring one of the puppies home for their daughter.

To their shock, the puppy they brought home starts to grow at an incredible rate, its fur mutating into a brilliant red as it does so.  They are ecstatic because their research has finally seen a result, albeit one they weren’t expecting.  There is only one problem.

Clifford has become attached to Emily and refuses to leave her side.  Emily, too, has fallen in love with her new pet.  They decide to let their project be canceled rather than try to separate the two.  Unfortunately, the government discovers their secret and begins a campaign to retrieve Clifford at any costs.  During the initial conflict, Emily Elizabeth’s parents are killed trying to help her and Clifford escape.  Emily and her dog flee into the wild.  This sets the opening of the movie.

Over the course of the movie, Emily and Clifford are on the run and we see Emily grow into a young woman, everything about her honed into a survivalist expert.  She and Clifford roam the backwoods, constantly in fear of being captured.  On one of her rare trips into town one day, Emily witnesses a bank robbery in progress involving multiple hostages.  She calls Clifford and the two of them save the lives of the hostages but wreck the bank in the process.  The local news capture footage of Clifford and it isn’t long before the military arrives in town.

Emily wants to just run away again, but she sees that the military is destroying the town, driving people out of their homes and destroying property in their search.  She decides that enough is enough and rides Clifford back into town and fights the military.  Amidst the fighting a huge truck arrives.  A general (who was her parent’s superior officer) gets out and smirks.  He tells Emily Elizabeth that Clifford’s mother wasn’t the only animal that gave birth to a litter of babies after receiving an injection.  The back of the truck unfolds to reveal a massive tabby cat.  The cat strains against its bindings and tears free, immediately leaping onto a nearby group of soldiers and devouring them.  Emily is horrified and orders Clifford to attack.

What follows is the dramatic battle between Clifford and the mutant cat.  Clifford has strength, but the cat is too fast and agile.  It looks like Clifford is down for the count, when the townsfolk, recognizing that Clifford is on their side, come to his aid.  They distract the cat long enough for him to finish the beast off for good. 

The military retreats, the general swearing vengeance on the two of them, and Emily and Clifford ride off into the night once more.  But the legend of the big red dog has already started.  And Emily Elizabeth knows that the day will come when she and Clifford will need to ride into battle against the forces of evil once more.

The credits roll.

Post credits, the screen fades to black for a moment.  The sound of waves crashing on shore fills the air.  The screen flashes brilliant white.  The light of the lighthouse moves on, revealing a rocky shore on a rainy day.  The camera pans down to find Clifford and Emily gazing out to sea.  A massive object hangs in the air off the coast, obscured in the clouds.  A smaller object rapidly approaches them.  It resolves itself into an advanced helicopter that silently lands just down the shore from them.  Clifford lets out a low growl but Emily quiets him with a hand on his leg.  A lone figure emerges from the aircraft, huddling his arms around himself to fight off the cold.

He approaches the two.  His hair is short and somewhat curly.  He wears glasses and a grey flannel shirt and seems unlikely to pose a threat to the two.

“Emily Elizabeth,” he says over the sound of the crashing surf, “I worked with your parents.  It’s taken us a while to find you, after the Birdwell Island incident.

“And who exactly is ‘us’,” she responds, eyes narrowing suspiciously.

Ignoring her question, the man continues.  “Me and Clifford have a lot in common, actually.”  He smiles a little awkwardly, then presses on.  “I was hoping you might be interested in meeting my boss.  He’s fairly excited to talk with you.”

“You still haven’t answered my question.  Who are you and who do you work for?”

The man smiles.  “My name is Banner.  And I’m hear to talk to you about the Avengers Initiative.”

how long did you even spend writing this for that fucking twist ending because my friend you are one devoted fan

HOLY FUCK I JUST SPAZZED OUT AND EVEN DROOLED GIVE THIS TO ME NOW

I NEED IT I NNEEEDDDD IIIIITTTT

imabrotatochip

completelylostprincess:

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

This is so beautiful.